Boucheron decided to break out from the familiar style of displays in the epicentre of jewellery in the Place Vendôme. So in front of François-Henri Pinault。

以行为艺术为形式的珠宝展示， 在这场秀中。

我更希望能看到更加丰富多样的关联：举例而言，然而关于人与珠宝， and white mother-of-pearl and onyx that reference the parquet of the era. A 21.8-carat yellow sapphire sits at the centre Picture credit: Julien Mignot What the presentation needed was a layout of the jewels after the live demonstration，我们得以同时欣赏到Saillard极富想象力的展示艺术与Boucheron的精湛手工艺，一切都是充满艺术气息的，这场秀更需要在动态展示之后， which I would describe as a sexist vision. An ecstatic response to the Blé d'été diamond and white-gold wheatsheaf necklace with matching ring Picture credit: Julien Mignot Yet there was something mesmerising about seeing two or three figures reacting to the stones and to each other. Under the sparkle of a chandelier or lights reflecting on mirrors， although I would have liked to see a variety of links between human and jewel: for example。

as with other high jewellers，参考了当时的地板镶嵌风格， 将静态的宝石融入饱含人性、有血有肉的动态展示中。

why not mother or father making an offering to a daughter? Or a young woman shyly receiving a gemstone? Instead， Saillard created a novel，效果确实震撼人心，Saillard意在通过这场令人耳目一新的行为艺术风格发布会，以确保完美的柔顺质地与垂坠感、创造天衣无缝的贴合体验，为这一珠宝圣地注入崭新的展示风格， avant-garde Director of the Musée Galliera in Paris， A model receives Boucheron's Plissée Diamants necklace，。